Funkineven & Fatima – Phoneline EP

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Eglo Records’ Fatima and Funkineven once again collaborate, proving to be an unstoppable force with an original take on contempoary UK soul and dance music. Fatima’s universal approach to Funkineven’s tilted West London swing creates a chemistry and understanding reminicent of the greats that came before them.

For more info and buy check: www.eglorecords.com

Tracklist

01. Phoneline
02. West 2 East
03. 90′s
04. 90′s Reflex

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Funkommunity – Chequered Thoughts

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Welcome to the Funkommunity, a new group founded by kiwi soul producer extraordinaire Isaac Aesili and singer Rachel Fraser, proving yet again that the new wave of New Zealand music just doesn’t stop. And alongside acclaimed names such as Fat Freddy’s Drop, Electric Wire Hustle, Ladi6, Mark De Clive-Lowe and MPM’s Sola Rosa, Funkommunity make sure that it, in fact, does get better all the time.

For more info and buy check: funkommunity.bandcamp.com

Tracklist

01. Pass It On
02. What You Give
03. The Light
04. Dandilion
05. Never Fading
06. Sorceress
07. Yeah
08. Liquifaction
09. Northwest & 4th
10. Make It That Way
11. Start Again
12. Hold On To Me

Link removed in request of Funkommunity.

Thelonious Monk – The Unique Thelonious Monk

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The seven-song Unique Thelonious Monk (1956) platter was the pianist’s second during his remarkable five-year tenure on Riverside. His debut for the label was the aptly titled Plays Duke Ellington (1955) and once again, on this disc, Monk’s song selection did not feature any original compositions. Rather, the well-chosen standards included exemplify and help further establish the pianist and bandleader within the context of familiar melodies at the head of a trio — consisting of Oscar Pettiford (bass) and Art Blakey (drums). Regarding the personnel, while Pettiford had also accompanied Monk on the Ellington sides, Blakey replaces Kenny Clarke. The trio struts and glides as Monk’s intricate fingering simultaneously displays his physical dexterity as well as his ability to play so deftly in the moment. Both attributes would resurface ten-fold once Monk began to animate his own compositions on the genre-defining Brilliant Corners (1956). (allmusic)

Personnel: Thelonious Monk (piano); Oscar Pettiford (bass); Kenny Clarke, Art Blakey (drums).

Tracklist

01. Liza (All The Clouds’ll Roll Away)
02. Memories Of You
03. Honeysuckle Rose
04. Darn That Dream
05. Tea For Two
06. You Are Too Beautiful
07. Just You, Just Me

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Art Blakey & The Jazz Messengers – Art Blakey!!!!! Jazz Messengers!!!!!

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An absolutely wonderful 1961 set from Blakey and company, who demonstrate here how to be note-perfect without leeching away the emotion of a performance. Aside from Blakey’s divine drum work, the standouts include Jaymie Merritt’s trippy bass fingerwork and Wayne Shorter blowing his heart out on tenor sax. (allmusic)

Personnel: Art Blakey (drums); Wayne Shorter (tenor saxophone); Robert H. Timmons (piano); Curtis Fuller (trombone); Jymie Merrit (bass); Lee Morgan (trumpet).

Tracklist

01. Alamode
02. Invitation
03. Circus
04. You Don’t Know What Love Is
05. I Hear A Rhapsody
06. Gee Baby, Ain’t I Good To You

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Funkadelic – Maggot Brain

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Funkadelic was George Clinton’s chance to get serious. Unlike Parliament, Funkadelic exhibited topical lyrics and an almost heavy-metal edge, one that included screeching, distorted guitar and unsettling musical turns. This 1971 album, Funkadelic’s second release, catches the ensemble in its early prime. The Hendrix-inspired dramatics come courtesy of Eddie Hazel, while Bernie Worrell admirably handles the keyboard chores. Clinton’s humorous, sober lyrics address poverty, race relations, and drug use. Musically, the band covers lots of ground: Everything from smooth soul and heavy rock to abstract psychedelia and straight-on funky grooves has a place, and these jarring shifts are what make the album a revolutionary work.

Personnel: Eddie Hazel , Garry Shider, Tawl Ross (vocals, guitar); Bernie Worrell (vocals, keyboards); Clarence “Fuzzy” Haskins (vocals, drums); George Clinton , Grady Thomas, Raymond Davis, Calvin Simon (vocals); Billy “Bass” Nelson (bass instrument); Ramon Tiki Fulwood (drums).

Tracklist

01. Maggot Brain
02. Can You Get To That
03. Hit It And Quit It
04. You And Your Folks, Me And My Folks
05. Super Stupid
06. Back In Our Minds
07. Whole Lot Of BS
09. I Miss My Baby – US Music With Funkadelic
10. Maggot Brain (Alt Mix, Recorded 1971)

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Gizmo – Red Balloon

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Gizmo is widely recognized as a bassist and music director, but he has spent the last year working on his new album “Red Balloon,” where he is showcasing another, and perhaps the most captivating side of himself as a singer, songwriter, multi instrumentalist, and producer. He has collaborated with many world-renowned musicians including Derrick Hodge, Casey Benjamin, Jamire Williams, George W. Russell, Jr, Ilan Bar-Lavi, and co-producer Gabo Lugo to create a compelling record that expresses a personal side of GizmoRed Balloon is produced by Derrick Hodge (Robert Glasper Experiment) and features Casey Benjamin (Robert Glasper Experiment / Q-Tip), Jamire Williams, Anna Wise of Sonnymoon and more.

For more info and buy check: www.gizmosound.com

Tracklist

01. Sleepblah (feat. Anna Wise)
02. Invalid (feat. Raydar Ellis)
03. Dancing (feat. Casey Benjamin & Jeremy Dejesus)
04. Lift Me Up (feat. Nick Hakim)
05. Near Me (Interlude)
06. Down (feat. William Gittens)
07. Red Balloon (feat. Jamire Williams)
08. Insane (feat. William Gittens)
09. My Country (Interlude)
10. People (feat. Derrick Hodge)
11. Elegua (a Prayer for the Children) [feat. Gregorio Bento, Gwen Bunn, Nick Hakim & William Gittens]
12. Use Somebody
13. Apologize (feat. George W. Russell, Jr. & Casey Benjamin)

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Robert Glasper Experiment – Dillalude

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Black Radio is already my album of the year (and maybe in my personal top 10 of all time) but yesterday the remix ep was released. The whole EP is damn good but as big fan of J Dilla  i’m absolutely in love with the Dillalude #2 track…. “The Look Of Love” with the “Open Your Eyes” lyrics sang by Casey Benjamin?!?!?!? love! In case you didn’t know Robert Glasper already did something like that on “In My Element” album released in 2007  also on Blue Note Records and you already know that is so good.

“What you did here?” nothing special…. i just took the 2 tracks and putted here because it would be deelicious to listen to a full EP or something one day…. enjoy!

note: yep i know that the J Dillalude track has a different personnel but hey…. it’s Robert Glasper!

Tracklist

01. J Dillalude
02. Dillalude #2

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Robert Glasper Experiment – Black Radio Recovered: The Remix EP

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Robert Glasper’s Black Radio received justifiable critical acclaim for its seamless, accessible, groundbreaking blur of jazz, hip-hop, neo-soul, and rock, and achieved a levelo of marketplace success that even the artist couldn’t anticipate. By contrast, Black Radio Recovered: The Remix Ep goes boldy into more exploratory terrain. Glasper isn’t afraid to get sonic. These six tracks – five remixes from the album and an unreleased track from the BR sessions – dige deeper into beats, synthetic soundscapes, samples, and the more outré regions of the Robert Glasper Expertiment’s musical word.

For more info and buy check: www.robertglasper.com

Tracklist

01. Afro Blue (9th Wonder’s Blue Light Basement Remix) [feat. Erykah Badu and Phonte]
02. Black Radio (feat. Yasiin Bey) [Pete Rock Remix]
03. The Consequences Of Jealousy (feat. Meshell Ndegeocello) [Georgia Anne Muldrow's Sassy Geemix)
04. Twice (?uestlove's Twice Baked Remix) [feat. Solange Knowles & The Roots]
05. Letter to Hermione (Robert Glasper and Jewels Remix) [feat. Bilal & Black Milk]
06. Dillalude #2

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THEESatisfaction – THEESatisfaction Loves Anita Baker

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Free mixtape/homage to Anita Baker from THEESatisfaction, enjoy!

Tracklist

01. Black Fact
02. Comprehension
03. Methods
04. Pressed
05. Cabin Fever Sweet Love (Live on Radio K)

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Bill Evans – The Interplay Sessions

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During the seven year span at Riverside that launched his career, Bill Evans only twice recorded outside his customary trio format: in the summer of 1962, when he went into the studio in quintet settings involving some of the major jazz artists of the period. The results are combined in this package.

Personnel: Bill Evans (piano); Zoot Sims & His Five Brothers, Zoot Sims (tenor saxophone); Freddie Hubbard (trumpet); Bill Evans (piano); Percy Heath, Ron Carter (bass guitar); Jim Hall (guitar); Philly Joe Jones (drums).

Tracklist

01. You And The Night And The Music
02. When You Wish Upon A Star
03. I’ll Never Sime Again
04. Interplay
05. You Got To My Head
06. Wrap Your Troubles In Dreams (And Dream Your Troubles Away)
07. Loose Bloose
08. Time Remembered
09. Funkallero
10. My Bells
11. There Came You
12. Fudgesickle Built For Four
13. Fun Ride

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Donald Byrd – Ethiopian Knights

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At about the same time that Miles Davis’ crew was populating the jazz world with their revolutionary fusion-isms, trumpeter Donald Byrd had returned from a trip to Africa and undergone an artistic epiphany. His Afrocentric explorations resulted in a number of beautiful albums, including 1971′s Ethiopian Knights, which postdated his incomparable hard bop work with the likes of Sonny Rollins and Pepper Adams, and landed just before his renowned album Blackbyrd and later ventures into radio-friendly R&B.

Ethiopian Knights stretches into experimental Bitche Brew territory with rock and soul-jazz rhythms, electronic keyboards, elastic structures and a battery of African percussion. Byrd employs a stellar line-up of West Coast jazz funkateers for these sessions, including the Jazz Crusaders’ Joe Sample and Wilton Felder, and Bobby Hutcherson with members of his band. The vibe here is loose and organic, with full doses of driving funk. Ethiopian Knights fills in an important chapter in the Donald Byrd story and makes for funky good listening. (cduniverse)

Personnel: Donald Byrd (trumpet); Harold Land (tenor saxophone); Thurman Green (trombone); Bobby Hutcherson (vibraphone); William Henderson III (acoustic & electric pianos); Joe Sample (organ); Don Peake, Greg Poree, David T. Walker (guitar); Wilton Felder (electric bass); Edward Greene (drums); Bobbye Porter Hall (congas, tambourine).

Tracklist

01. The Emperor
02. Jamie
03. The Little Rasti

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George Duke – I Love The Blues, She Heard My Cry

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George Duke has always been a musician who refused to limit himself to one style. I Love the Blues, She Heard My Cry music CDs Prior to I Love The Blues, which came out in 1975, Duke excelled in contexts both acoustic and electric, in straight-ahead jazz, arty rock (with Frank Zappa), and fusion. I Love the Blues, She Heard My Cry songs Blues finds him fronting an all-star lineup (Lee Ritenour, Johnny “Guitar” Watson, Flora Purim) in a set of fierce blues, soul/R&B, and rock songs (lead vocals by Duke) amid some nifty jazz-fusion instrumentals. I Love the Blues, She Heard My Cry album This set is recommended to listeners as musically diverse as Duke himself. (cduniverse)

Personnel: George Duke (vocals, Fender Rhodes piano, Clavinet, keyboards, ARP synthesizer, Moog synthesizer); Johnny “Guitar” Watson (vocals, guitar, background vocals); John Wittenberg (vocals, violin); Janet Ferguson Hoff, Flora Purim, Janet Fergusonhoff (vocals); Byron Miller (guitar, bass instrument); Daryl Stuermer, George Johnson , Lee Ritenour (guitar); Airto Moreira (berimbau, tambourine, percussion); Bruce Fowler (trombone); Ruth Underwood (marimba, percussion, gong); Emil Richards (marimba, percussion); Tom Fowler (bass instrument); Leon “Ndugu” Chancler (drums, percussion, gong, background vocals); Ndugu (drums); Roger Dollarhide, Donna Correa, Debra Fay, Chris Norris, Pat Norris, Patrick Norris, Larry Robinson (background vocals).

Tracklist

01. Chariot
02. Look Into Her Eyes
03. Sister Seren
04. That’s What She Said
05. Mashavu
06. Rokkinrowl
07. Prepare Yourself
08. Giant Child Within Us – Ego
09. Someday
10. I Love The Blues, She Heard My Cry

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Blue Break Beats Vol. 1-2-3-4

Blue Note released the 4 volumes of Blue Break Beats compilation in the ’90s. The music on Blue Break Beats dates from the late ’60s and early ’70s, when a large portion of Blue Note’s soul-jazz artists began experimenting with funk and rock, creating dense electric fusions that concentrated on rhythm, not improvisation. None of this music has ever received much critical praise from jazz purists, but in the late ’80s and early ’90s, scores of hip-hop and dance DJs discovered these old records and began sampling the original tracks to use in new rap and dance songs. This jazz-rap-funk fusion had become hip and profitable, which led Blue Note to assemble the Blue Break Beats compilations.

Blue Break Beats
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Tracklist

01. Richard Groove Holmes – Grooving With Mr G
02. Grant Green – Sookie Sookie
03. Lou Donaldson – Who’s Making Love
04. Donald Byrd – Weasil
05. Eddie Henderson – Kudu
06. Bobbi Humphrey – Harlem River Drive
07. Jimmy McGriff – Blue Juice
08. Grant Green – The Final Comedown
09. Lou Donaldson – Turtle Walk
10. The Three Sounds – Your Love Is Too Much
11. Donald Byrd – Blackjack
12. Herbie Hancock – Olilloqui Valley

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Blue Break Beats Vol. 2
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Tracklist

01. Donald Byrd – Street Lady
02. Bobbi Humphrey – Jasper Country Man
03. Eddie Henderson – Kumquat Kids
04. Gene Harris – Higga Boom
05. Reuben Wilson – Orange Peel
06. Jimmy McGriff – The Worm
07. Lou Donaldson – The Caterpillar
08. Grant Green – Ain’t It Funky Now
09. Bobby Hutcherson – Ummh
10. Blue Mitchell – Good Humour Man
11. Donald Byrd – Beale Street
12. Gerald Wilson – Viva Tirado

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Blue Break Beats Vol. 3
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Tracklist

01. Cannonball Adderley – Walk Tall
02. Lou Rawls – You’ve Made Me So Very Happy
03. Lou Donaldson – Ode to Billie Joe
04. Reuben Wilson – Sho’ Nuff Melon
05. Jeremy Steig – Howling for Judy
06. Shirley Bassey-The Doors – Light My Fire
07. Lou Donaldson – It’s Your Thing
08. The 3 Sounds – Put on Train
09. Gene Harris – Don’t Call Me Nigger, Whitey
10. Donald Byrd – (Fallin’ Like) Dominoes
11. Ronnie Foster – Mystic Brew
12. Joe Williams-Thad Jones – Get Out of My Life Woman
13. Duke Pearson – Ground Hog
14. Jackie McLean – Soul

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Blue Break Beats Vol. 4
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Tracklist

01. Gene Harris – Prelude
02. David Axelrod -Holy Thursday
03. The 3 Sounds – Sittin’ Duck
04. Buddy Rich – The Beat Goes On
05. Bob Dorough – Three Is a Magic Number
06. Banbara – Shack Up, Pt. 1-2
07. Sons – Boomp Boomp Chomp
08. Monk Higgins – Little Green Apples
09. Herbie Hancock – Bring Down the Birds
10. Ike & Tina Turner – Whole Lotta Love
11. The 3 Sounds – Repeat After Me
12. Eddie Henderson – Inside You
13. Marlena Shaw – Woman of the Ghetto
14. Paul Nero -This Is Soul

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Ras G – Beats & The Abstract Truth: More Blues Than Mathematics

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Ras G has been a fixture on the underground hiphop scene in Los Angeles since the early 90s. He is a proud South Central resident. A carrier of the Backwoods, he is a founder of the ubiquitous Poo-Bahs Label. Poo-Bahs is a bright light on the map of LA experimental music, from abstract beats to noise. His “Beats and the Abstract Truth” mix for Mochilla is a dirty noisy excursion into the mind of Ras. Like Oliver Nelson blazed in a juke joint on the other side of Jupiter. Lots of fog horns, natty chattin and thump. Bring up the reverb.

Good mix released in 2008 on Mochilla, enjoy!

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Knxwledge – knxmelo

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It’s not a secret that i like Knxwledge a lot and if you follow him you also know that he release so much music (yep maybe too much). knxmelo it’s just a collection of my favorite beats released by Knxwledge since i listened him for the first time in the 2009 when “Klouds” came out, enjoy!

Tracklist

01. Kafe
02. Spektrum
03. AnothrPoff
04. Pain
05. Learn
06. Exekutive
07. Wait
08. ∆romatik
09. seeinkRowt
10. Fruit
11. isntSheLovlee
12. Yuri
13. Bethesame91
14. wantdthose.
15. Pastry
16. wntwrk
17. WhºK∆res
18. Kºultr∆ynin
19. Punish
20. 498.
21. Takira
22. Fade

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Hidden Orchestra – Archipelago

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Archipelago is the second album for Tru Thoughts. The album sees Joe Acheson, the musical mastermind behind Hidden Orchestra, continuing to explore and develop many themes that emerged on our debut, Night Walks, adding new ideas, guest players, instruments and found sounds; to name a few, listen up for tap-dancing, bagpipe drones, and Acheson stomping in snow and ice.

New instruments contributing to the many layers of Archipelago include the musical saw of multi-skilled cellist Su-a Lee (as heard to spine-tingling, sci-fi effect on “Vorka”); clarsach and electro-harp from Scottish folk musician Mary MacMaster; clarinet care of Czech musician/composer Floex; and Phil Cardwell’s uniquely versatile trumpet tones. In addition, you’ll hear a range of kantele and zithers which Joe (also a Sony-nominated radio producer and presenter) found and recorded at a school for the blind in Finland, while on location for a radio documentary.

For more info and buy check: www.hiddenorchestra.com

Tracklist

01. Overture
02. Spoken
03. Flight
04. Vorka
05. Hushed
06. Reminder
07. Seven Hunters
09. Disquiet
10. Vainamoinen

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Sarah Vaughan – Sarah Vaughan In Hi-Fi

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The title was heralding the newest technolgy, high fidelity, a sonic wonder that preceeded stereo, and Miss Vaughn was an early subject of this technoligical breakthrough. Recorded for Columbia spanning the years 1949 to 1952, this is a wonderful recording of Miss Vaughn’s. She recorded eight selections in 1950 with an octet that included trumpeter Miles Davis, trombonist Benny Green, the remarkably cool clarinetist Tony Scott and tenorman Budd Johnson. This CD adds alternate takes to seven of the numbers, increasing the discography of both Sassy and Miles. This version of “Ain’t Misbehavin’” is a true classic (with memorable eight-bar solos by each of the four horns); “Mean to Me” and “Nice Work If You Can Get It” are gems, and the other performances are not far behind. In addition, Vaughan sings two versions of “The Nearness of You” in 1949; there is also a previously unknown recording of “It’s All In the Mind,” and three orchestra numbers from 1951 and 1953 wrap up the outstanding reissue. Sassy has rarely sounded better. Highly recommended. (allmusic)

Personnel includes: Sarah Vaughan (vocals); Hymie Schertzer (alto saxophone); Artie Drelinger, George Kelly, Budd Johnson (tenor saxophone); Stan Webb (baritone saxophone); Russ Bazer, Harold Feldman (saxophone); Billy Butterfield, Taft Jordan, Miles Davis, Jimmy Maxwell, J. Milazzo, Red Solomon (trumpet); Will Bradley, Bennie Green, Jack Sattersfield (trombone); Tony Scott (clarinet); Jimmy Jones (piano, guitar); Lou Stein (piano); Al Cailoa, Freddie Green, Mundell Lowe, Art Ryerson (guitar); Eddie Safranski, Billy Taylor, Jr., Frank Carroll (bass); Cozy Cole, J.C. Heard, Terry Snyder (drums).

Tracklist

01. East Of The Sun (West Of The Moon)
02. Nice Work If You Can Get It
03. Come Rain Or Come Shine
04. Mean To Me
05. It Might As Well Be Spring
06. Can’t Get Out Of This Mood
07. Goodnight My Love
08. Ain’t Misbehavin’
09. Pinky
10. The Nearness Of You
11. Spring Will Be A Little Late This Year
12. Ooh, What-Cha Doin’ To Me
13. It’s All In The Mind
14. The Nearness Of You (Alternate Take)
15. Ain’t Misbehavin’ (Alternate Take)
16. Goodnight My Love (Alternate Take)
17. Can’t Get Out Of This Mood (Alternate Take)
18. It Might As Well Be Spring (Alternate Take)
19. Mean To Me (Alternate Take)
20. Come Rain Or Come Shine (Alternate Take)
21. East Of The Sun (West Of The Moon) (Alternate Take)
22. Pause Track

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J.J. Johnson & Kai Winding – The Great Kai And J.J.

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This Impulse set (which was given the catalog number of A-1 when it first came out) was the first recorded reunion of trombonists J.J. Johnson and Kai Winding. Given a straight reissue on CD the music still sounds fresh and lively. With pianist Bill Evans, either Paul Chambers or Tommy Williams on bass and Roy Haynes or Art Taylor on drums, the two trombonists are in melodic and witty form on such tunes as “This Could Be the Start of Something Big,” “Blue Monk,” “Side by Side” and the “Theme from Picnic.” Recommended.

Personnel: J.J. Johnson (trombone); Kai Winding (trombone); Bill Evans (piano); Roy Hayes, Roy Haynes, Art Taylor (drums).

Tracklist

01. This Could Be The Start Of Something
02. Georgia On My Mind
03. Blue Monk
04. Judy
05. Alone Together
06. Side By Side
07. I Concentrate On You
08. Theme From Picnic
09. Trixie
10. Going, Going, Going!
11. Just For A Thrill

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Grant Green – Blue Breakbeats

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In the ’70s, guitarist Grant Green turned to an R&B and funk style in order to keep up with the times and invite as wide an audience as possible. At the time, critics cried foul at what they called “selling out” and disavowed Green from their critical radar. Fast forwarding to the ’90s, this period of Green’s career became in great demand as the “acid jazz” craze came into vogue. Blue Breakbeats collects some of Green’s more revered works from this period. These are the tracks that DJs constantly sample and loop to form new electronically manipulated works.

To be sure, the grooves here are gritty and the melodies, what little there are, are simple and brash, but the determined mood and downright funkiness is nothing to sneeze at. Cuts like James Brown’s “Ain’t It Funky Now” and the immensely popular “Sookie Sookie” are staples in any self-respecting DJ’s arsenal. The driving beats of Ben Dixon’s “Cantaloupe Woman” and the stunning “The Final Comedown” offer plenty of fertile sampling opportunities as well. Overall, though, this is a celebration of Green’s late-period talent that didn’t get its just desserts in his time. (cduniverse)

Personnel: Grant Green (guitar); Phil Bodner (woodwinds); Harold Vick (soprano saxophone); Claude Bartee, Jr. (tenor saxophone); Irwin “Marky” Markowitz, Marvin Stamm, Blue Mitchell (trumpet); Clarence Palmer, Emanuel Riggins (electric piano); Neal Creque, Ronnie Foster (organ); Richard Tee (keyboards); Billy Wooten, William Bivens (vibraphone); Chuck Rainey, Gordon Edwards , Jimmy Lewis (electric bass); Grady Tate, Idris Muhammad (drums); Ray Armando, Joseph Armstrong, Candido Camero (congas); Richard Landrum (bongos); Ralph MacDonald (percussion).

Tracklist

01. Ain’t Funky Now
02. Cantaloupe Woman
03. The Windjammer
04. Sookie, Sookie
05. Ease Back
06. The Final Comedown

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Joy Denalane – Maureen

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Born and raised in Berlin as the daughter of a German mother and a South African father, Joy Maureen Denalane has sung lyrics in various languages, including English and German as well as the South African languages Xhosa and Shangan. Although her stylish vocals and sounds are clearly influenced by artists ranging from Letta Mbulu to Lauryn Hill, her inspiration to do music, period, originates from hip-hop, especially that of female firebrands Salt-N-Pepa and Roxanne Shanté, which began seeping into Germany in the late ’80s.

“MAUREEN” is a skilful blend of all the elements that made Joy”s previous two albums (“Mamani” and “Born & Raised”) so unique: clear, direct and yet complex lyrics which strike the balance between being lyrical on one hand and effortlessly cool on the other, strong tracks and outstanding production which lies somewhere between modern soul, powerful funk and impressive hip-hop beats.

For more info and buy check: www.joydenalane.com

Tracklist

01. No More
02. Free
03. Time To Make a Change
04. Should Have Never (ft. Bilal)
05. Still Im a Woman
06. Where Do We Go
07. Picture Me
08. Steppin Up
09. Save a Little Love
10. Happiness
11. Roses
12. Roses
13. You Are Not The Only One
14. Chemical

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